| Peter Thompson[’s] setting of A Red, Red Rose by Burns is very beautiful, and should be better known. | ||
| —Brian Bannatyne-Scott, Edinburgh Music Review |
Click the quotation text to discover what it refers to!
| Peter Thompson[’s] setting of A Red, Red Rose by Burns is very beautiful, and should be better known. | ||
| —Brian Bannatyne-Scott, Edinburgh Music Review |
Click the quotation text to discover what it refers to!
£8.00
| …tiny sketches that resemble improvisations in a sensitive language, easily and attractively contemporary. | ||
| — Piano |
| …quasi-improvisational sketches that provide tonal interest for the younger ear… | ||
| — Muso |
(Click to enlarge)
| Composer | Title | Forces | |||
|---|---|---|---|---|---|
| Roger Eno |
Notes to Myself for piano |
Piano | |||
| # | Composer | Movement | Forces | ||
| 1 | Roger Eno | Simple Music no 16 | Piano | ||
| 2 | Simple Piano Music no 6 | ||||
| 3 | Simple Piano Music no 7 | ||||
| 4 | Piano Music no 3 | ||||
| 5 | Quietly | ||||
| 6 | Piano Music no 2 | ||||
| 7 | Not too slowly | ||||
| 8 | Lost and Found | ||||
| 9 | Walberswick Marshes | ||||
| 10 | Flickering | ||||
| 11 | Revisiting | ||||
| 12 | Where to end? | ||||
Catalogue code: FM126
• Published: 2004
Entry last updated: 22nd July 2010